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master of the medium of photomontage.'
this fine book, poetry and images work their graphic truth in tension
with one another, juxtaposed against the vanities and aesthetic impoverishment
of the Millennium Dome. For these are our millennium's contrasts; wealth
and poverty, consumption and starvation.'
highly politicised visual fictions, with their demonology succinctly in
place, take their audience beyond the real, beyond the modern even, to
a dark and dour fantasy of an approaching millennium.'