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Images
for the End of the Century |
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Our world contains terrible equations. One billion dollars, the cost of twenty modern military planes, equals what it would cost to control the illness killing eleven million children annually in the developing world. The single click of a camera shutter cannot picture this connection, cannot equate one with the other. But in a photomontage two clicks can be brought together to create a third meaning. The
photomontages in this book try to develop an international picture language
- a set of visual equations without captions. Each photograph I have used
is like a syllable standing next to another syllable to form a word. Each
word is a photomontage put next to another to make up a visual sentence.
The images are to be read. They must speak for themselves. 'Kennard
is a no-nonsense political artist who proves again and again that the
frightening image is just as mighty as the sword.' 'Kennard
has moved into a position of major importance. The montages he has produced
for the anti-nuclear campaign are quite brilliant' 'Kennard
is under no illusions about what modern war means and he uses his trenchant
skill as a political artist to drive its reality home . . . the finest
photomontage artist in Britain today.' 'Kennard
is one of the very few artists - the only one, it might be said - who
has had a direct effect on recent British politics. His photomontages
are everywhere.' |
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Dimensions: Date: PaperBack: Price:
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